‘Yard Times’ is unbe-leaf-able
Nico Armeanu, Arts Editor
• October 16, 2024
‘Vanities’ is a heartfelt, emotional, comedic performance
Emma Gahbhart
• October 15, 2024
‘Beetlejuice Beetlejuice’ did not make my millennium
Nico Armeanu, Arts Editor
• September 17, 2024
Wallows’ “Model” Tour is indie rock at its finest
Tegan Ruhl, Lifestyle Editor
• September 11, 2024
2nd Language: Best for an indulgent snack
David Graber, Staff Writer
• April 19, 2023
“The Super Mario Bros. Movie” is the most potent form of nostalgia bait
Ian Lloyd, Staff Writer
• April 12, 2023
“CALL ME IF YOU GET LOST: The Estate Sale” is a rhythmic, deluxe revamp to the original album
Tegan Ruhl, Assistant Lifestyle Editor
• April 12, 2023
“Pizza Tower” is a perfect video game
Ian Lloyd, Staff Writer
• March 22, 2023
“65” brings back fun mid-budget sci-fi
Ian Lloyd, Staff Writer
• March 15, 2023
Bloodborne is a masterpiece in gameplay, worldbuilding and horror
Ian Young, Staff Writer
• March 15, 2023
“Abbott Elementary” shows the struggles of school systems in a light-hearted way
Abigail Durham, Staff Writer
• February 22, 2023
“Ant-Man and the Wasp: Quantumania” goes too big
Ian Lloyd, Staff Writer
• February 22, 2023
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