Grammys left audiences wanting better (Story)

‘The Most Fun We Ever Had’ opens readers to purpose of life (Story)

Hulu’s “Dollface” exhibits comedy, stories of women (Story)

‘The Institute’ forces us to face ourselves as monsters (Story)

New ‘Addams Family’ movie falls flat (Story)

Netflix’s ‘Tall Girl’ misses the mark (Story)

Taylor Swift’s ‘Lover’ full of self-love, growth (Story)

‘Four Weddings and a Funeral’ too picture perfect (Story)

‘Veronica Mars’ much more than a modern-day Nancy Drew (Story)

‘The Perfect Date’ predictable, yet enjoyable (Story)

Disney’s ‘Dumbo’ flies in with new version, powerful message (Story)

Sam Cooke documentary recaps life, accomplishments of activist (Story)

‘Grown-ish’ giving voice to new generation (Story)

Anthony Bourdain’s ‘Kitchen Confidential’ offers insight into life, food industry (Story)

‘You’ reveals hidden danger of romantic tropes (Story)

‘Educated’ memoir reflective, modern fable (Story)

‘Beautiful Boy’ characterization absent, visuals prominent (Story)

‘The Good Place’ more than a comedy (Story)

‘Chilling Adventures of Sabrina’ dark, full of good vs. evil (Story)

Why the recreation center has great opportunities (Story)

The patriot in all of us (Story)

How to make stress work for you (Story)

Ginsburg documentary inspirational, full of humanity (Story)

‘This is Us’ full of quality, family topics (Story)

‘Vampire Weekend’ debut album full of complexity (Story)

Failure encourages risks and growth (Story)

“To All the Boys I’ve Loved Before” resurrects teen comedy genre (Story)